Earth, my dearest, oh believe me, you no longer need your springtimes to win me over...Unspeakably, I have belonged to you, from the flush.

But suppose the endlessly dead were to wake in us some emblem: they might point to the catkins hanging from the empty hazel trees, or direct us to the rain descending on black earth in early spring. --- And we, who always think of happiness rising, would feel the emotion that almost baffles us when a happy thing falls.

My loving friend, you see, my life was never given a foundation, no one was able to imagine what it would want to become. In Venice there stands the so-called Ca del Duca, a princely foundation, on which later the most wretched tenement came to be built. With me it's the opposite: the beautiful arched elevations of my spirit rest on the most tentative beginning; a wooden scaffolding, a few boards....Is that why I feel inhibited in raising the nave, the tower to which the weight of the great bells is to be hoisted (by angels, who else could do it)?

My art is representational by choice....if the art of painting is to survive, it must describe and express people, their lives and times. It must communicate.

The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.

Understand, I'll slip quietly away from the noisy crowd when I see the pale stars rising, blooming, over the oaks. I'll pursue solitary pathways through the pale twilit meadows with only this one dream: You come too.

I love the dark hours of my being. My mind deepens into them. There I can find, as in old letters, the days of my life, already lived, and held like a legend, and understood.