Our deepest fears are like dragons, guarding our deepest treasure.

Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognize them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.

What is necessary, after all, is only this: solitude, vast inner solitude. To walk inside yourself and meet no one for hours-that is what you must be able to attain. To be solitary as you were when you were a child.

Weren't you always distracted by expectation, as if every event announced a beloved? (Where can you find a place to keep her, with all the huge strange thoughts inside you going and coming and often staying all night.).

I implore those who love me to love my solitude.

Thus we live, forever taking leave.

Interior of the hand. Sole that has come to walk only on feelings. That faces upward and in its mirror receives heavenly roads, which travel along themselves. That has learned to walk upon water when it scoops, that walks upon wells, transfiguring every path. That steps into other hands, changes those that are like it into a landscape: wanders and arrives within them, fills them with arrival.