Your life will still find its own paths from there, and that they may be good, rich, and wide is what I wish for you, more than I can say.

I am so afraid of people's words.They describe so distinctly everything: And this they call dog and that they call house, here the start and there the end. I worry about their mockery with words, they know everything, what will be, what was; no mountain is still miraculous; and their house and yard lead right up to God. I want to warn and object: Let the things be! I enjoy listening to the sound they are making. But you always touch: and they hush and stand still. That's how you kill.

To write rhythmic prose one must go deep into oneself and find the anonymous and multiple rhythm of the blood. Prose needs to be built like a cathedral. There, one is truly without a name, without ambition, without help; on scaffoldings, alone with one's consciousness.

That is why young people, who are beginners in everything, are not yet capable of love: it is something they must learn. With their whole being, with all their forces, gathered around their solitary, anxious, upward-beating heart, they must learn to love.

O trees of life, O when are you wintering?We are not unified. We have no instinctslike those of migratory birds. Useless, and late,we force ourselves, suddenly, onto the wind,and fall down to an indifferent lake.We realise flowering and fading together.And somewhere lions still roam. Never knowing,as long as they have their splendour, of any weakness.

It is clear that we must embrace struggle. Every living thing conforms to it. Everything in nature grows and struggles in its own way, establishing its own identity, insisting on it at all cost, against all resistance.

Verses are not, as people think, feelings (those one has early enough) -- they are experiences. For the sake of a verse one must see many cities, men, and things, one must know the animals feel how birds fly, and know the gesture with which the little flowers open in the morning.