Just as the creative artist is not allowed to choose, neither is he permitted to turn his back on anything: a single refusal, and he is cast out of the state of grace and becomes sinful all the way through.

It is clear that we must trust what is difficult; everything alive trusts in it, everything in Nature grows and defends itself any way it can and is spontaneously itself, tries to be itself at all costs and against all opposition. We know little, but that we must trust in what is difficult is a certainty that will never abandon us; it is good to be solitary, for solitude is difficult; that something is difficult must be one more reason for us to do it.

At no other time (than autumn) does the earth let itself be inhaled in one smell, the ripe earth; in a smell that is in no way inferior to the smell of the sea, bitter where it borders on taste, and more honeysweet where you feel it touching the first sounds. Containing depth within itself, darkness, something of the grave almost.

You have had many sadnesses, large ones, which passed. ... But please, ask yourself whether these large sadnesses haven't rather gone right through you [that is, passed through you]. Perhaps many things inside you have been transformed; perhaps somewhere, someplace deep inside your being, you have undergone important changes while you were sad.

But suppose the endlessly dead were to wake in us some emblem: they might point to the catkins hanging from the empty hazel trees, or direct us to the rain descending on black earth in early spring. --- And we, who always think of happiness rising, would feel the emotion that almost baffles us when a happy thing falls.

I want to love the things as no one has thought to love them.

What we do battle with is so small, what battles us is so large.