And even if you were in some prison, the walls of which let none of the sounds of the world come to your senses - would you not then still have your childhood, that precious, kingly possession, that treasure-house of memories?

But suppose the endlessly dead were to wake in us some emblem: they might point to the catkins hanging from the empty hazel trees, or direct us to the rain descending on black earth in early spring. --- And we, who always think of happiness rising, would feel the emotion that almost baffles us when a happy thing falls.

...a carefree letting go of oneself, not a caution, but a wise blindness.

This is the miracle that happens every time to those who really love; the more they give, the more they possess of that precious nourishing love from which flowers and children have their strength and which could help all human beings if they would take it without doubting.

She who reconciles the ill-matched threads Of her life, and weaves them gratefully Into a single cloth – It’s she who drives the loudmouths from the hall And clears it for a different celebration.

Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognize them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.

And you should not let yourself be confused in your solitude by the fact that there is something in you that wants to move out of it.