I am too alone in the world and not alone enough to make every moment holy.

We wasters of sorrows! How we stare away into sad endurance beyond them, trying to foresee their end! Whereas they are nothing else than our winter foliage, our sombre evergreen, one of the seasons of our interior year.

The highest form of love is to be the protector of another person’s solitude.

But you, divine poet, you sang on till the end as the swarm of rejected maenads attacked you, shrieking, you overpowered their noise with harmony, and from pure destruction arose your transfigured song.

If we only arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage.

What do the contours of your body mean, laid out like the lines on a hand, so that I no longer see them except as fate?

It almost seems as if autumn were the true creator, more creative than the spring, which is too even-toned, more creative when it comes with its will-to-change and shatters the much too ready-made, self-satisfied and really almost bourgeois-complacent image of summer.