The work of the eyes is done. Go now and do the heart-work on the images imprisoned within you.

Who, if I cried out, would hear me among the angels'hierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying.

a kind of memory that tells us that what we're now striving for was once nearer and truer and attached to us with infinite tenderness. Here all is distance, there it was breath. After the first home the second one seems draughty and strangely sexed.

Ideally a painter (and, generally, an artist) should not become conscious of his insights: without taking the detour through his reflective processes, and incomprehensibly to himself, all his progress should enter so swiftly into the work that he is unable to recognize them in the moment of transition. Alas, the artist who waits in ambush there, watching, detaining them, will find them transformed like the beautiful gold in the fairy tale which cannot remain gold because some small detail was not taken care of.

You darkness, that I come from, I love you more than all the fires that fence in the world.

Irony: Don't let yourself be controlled by it, especially during uncreative moments.

Keep growing quietly and seriously throughout your whole development; you cannot disturb it more rudely than by looking outward and expecting from outside replies to questions that only your inmost feeling in your most hushed hour can perhaps answer.