I think definitely people know me from playing creeps and weirdos, and I'm definitely looking to expand my range.

People are flawed. I like peaking into their flaws. The way to humanize them is not to play them in any general way, but to make them very specific. If you make them specific, they have hopes and dreams and loves and vulnerabilities and quirks and you get to know them and you get to appreciate them.

Our society is all about focusing on the externals, "These people like me, I'm successful because of these people, they view me as being good" and we need to take that vision and instead of expanding it outwards we need to look inside ourselves.

When I grew up in Seattle, by the way, in the 70's, it was a fishing village. There were loggers and fishers and my dad had a sewer company and it wasn't the way Seattle is now. Culturally, it was very different back then.

My mom was an actress in the local Seattle theater doing experimental plays.

I was raised to think about philosophy and religious thought and the soul and the spirit of humankind in a different way, also really socially progressive teachings of the Baha'i faith, the equality of men and women, the elimination of racial prejudice, the equality of science and religion, so it was a big cauldron of big ideas in my household. And we were weird and unhappy family, but nonetheless that was a really positive thing that came out of it.

I think that charity is a tricky thing, because a lot of times, people equate charity with handouts. I don't believe in handouts.