My body has been making women laugh for the last 20 years and I'm happy to continue to oblige.

There's like ten minutes when it's like, 'Okay, wait, who is this guy again?' And then, you know, I just put on the calculator watch and the glasses, and just be all, you know, inappropriate. And then it just works out fine.

We live in a really racist culture and it's got to be addressed.

What's interesting is the show allows for the awkward pauses to be captured, which makes it stylistically unique, especially for American audiences.

People are flawed. I like peaking into their flaws. The way to humanize them is not to play them in any general way, but to make them very specific. If you make them specific, they have hopes and dreams and loves and vulnerabilities and quirks and you get to know them and you get to appreciate them.

Some of the biggest movie stars in the world are essentially characters.

I used to play a lot of chess and competitive chess and study chess and as you get to the grandmasters and learn their styles when you start copying their games like the way they express themselves through... The way Kasparov or Bobby Fischer expresses themselves through a game of chess is it's astonishing. You can show a chess master one of their games and they'll say "Yeah, that is done by that player."