Sweetheart, I'm the biggest ripped-off cartoonist in the history of the world, and that's all I'm going to say.

My movies continue to be found and be sold because there's something going on in them.

Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.

Animation is tremendously resilient. Animation will recover, as art always recovers. There's always cycles of good art.

As an artist, I want to interpret my feelings - not run across the street and ask what my mother thinks.

I hired Bob at Terrytoons. He was my assistant animator, and then became an animator himself. He had just come from Boston with his family and was a brilliant draftsman as well as a great jazz guitarist. We had lots of fun nights in Greenwich Village together and then later hanging in LA. Bob worked on Fritz the Cat , Heavy Traffic , Coonskin , and on Wizards . I am terribly saddened by his passing and will miss him dearly.

I am not interested in slickness for the sake of slickness.