I hired Bob at Terrytoons. He was my assistant animator, and then became an animator himself. He had just come from Boston with his family and was a brilliant draftsman as well as a great jazz guitarist. We had lots of fun nights in Greenwich Village together and then later hanging in LA. Bob worked on Fritz the Cat , Heavy Traffic , Coonskin , and on Wizards . I am terribly saddened by his passing and will miss him dearly.

You cant second-guess yourself as a filmmaker.

The art of cartooning is vulgarity. The only reason for cartooning to exist is to be on the edge. If you only take apart what they allow you to take apart, you're Disney. Cartooning is a low-class, for-the-public art, just like graffiti art and rap music. Vulgar but believable, that's the line I kept walking.

I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.

I animated 20 years at Terry Toons. It's important to know that animators like pizza and a raise once in a while, and you've got to treat them with love.

I'm having the same problems today that I had when I first started, saying that outrageous adult animation works.

I wouldn't leave Disney to do Disney.