All novels are about certain minorities: the individual is a minority.

I am invisible, understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves or figments of their imagination, indeed, everything and anything except me.

Our task, then always, is to challenge the apparent forms of reality-that is, the fixed manner and values of the few, and to struggle with it until it reveals its mad, vari-implicated chaos, its false face, and so on until it surrenders its insight, its truth.

The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.

The end is in the beginning and lies far ahead.

For, like almost everyone else in our country, I started out with my share of optimism. I believed in hard work and progress and action, but now, after first being 'for' society and then 'against' it, I assign myself no rank or any limit, and such an attitude is very much against the trend of the times. But my world has become one of infinite possibilities. What a phrase - still it's a good phrase and a good view of life, and a man shouldn't accept any other; that much I've learned underground. Until some gang succeeds in putting the world in a strait jacket, its definition is possibility.

If only all the contradictory voices shouting in my head would calm down and sing a song in unison, whatever it was I wouldn't care as long as they sang without dissonance.