The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.

Who knows but that, on the lower frequencies, I speak for you?

I suddenly recall the arpeggios of laughter lilting across the tender, springtime grass-gay-welling, far-floating, fluent, spontaneous, a bell-like feminine fluting, then suppressed; as though snuffed swiftly and irrevocably beneath the quiet solemnity of the vespered air now vibrant with somber chapel bells.

Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.

I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance-but it must be acceptance on his own terms.

Our task, then always, is to challenge the apparent forms of reality-that is, the fixed manner and values of the few, and to struggle with it until it reveals its mad, vari-implicated chaos, its false face, and so on until it surrenders its insight, its truth.

It is sometimes advantageous to be unseen, although it is most often rather wearing on the nerves.