I am an invisible man. No, I am not a spook like those who haunted Edgar Allan Poe; nor am I one of your Hollywood-movie ectoplasms.

When American life is most American it is apt to be most theatrical.

The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.

Our task, then always, is to challenge the apparent forms of reality-that is, the fixed manner and values of the few, and to struggle with it until it reveals its mad, vari-implicated chaos, its false face, and so on until it surrenders its insight, its truth.

It is sometimes advantageous to be unseen, although it is most often rather wearing on the nerves.

I was pulled this way and that for longer than I can remember. And my problem was that I always tried to go in everyone's way but my own. I have also been called one thing and then another while no one really wished to hear what I called myself. So after years of trying to adopt the opinions of others I finally rebelled. I am an invisible man.

I denounce because though implicated and partially responsible, I have been hurt to the point of abysmal pain, hurt to the point of invisibility. And I defend because in spite of it all, I find that I love.