I feel there's so much still to learn about acting. But there is some magic in the capturing of performance and in the process of editing a performance. The psychology of human beings and what's coming through the face... that fascinates me.

I admire the world of the books and the characters that she's created, but I'm not an addict of Harry Potter. I don't feel possessive about it.

If I had a gun to my head and I had to choose between theater and film I'd choose theater.

God is not anything human. God is a force, God is chaos, God is unknown. God is terror and enlightenment at the same time.

I'm interested in the spirits of people. In the theatre, there's the acting part of acting - and I'm not saying that can't be great - and there's the essence. To explore that essence, you need a key, a look, a gesture, an insight that unlocks the person's soul.

We are now living in a jungle where the strong eats the weak,we are not better than the Arabs to despise them.

I felt it [Shakespeare's Coriolanus] is sort of an examination of our dysfunction as a nationalistic, tribal entities. I think the world is rocking and cracking open in weird and worrying places. And I think Coriolanus, the play, reflected that.