I read the other day some verses written by an eminent painter which were original and not conventional.

Skill to do comes of doing.

Crossing a bare common, in snow puddles at twilight, under a clouded sky, without having in my thoughts any occurrence of special good fortune, I have enjoyed perfect exhilaration. I am glad to the brink of fear.

I learn immediately from any speaker how much he has already lived, through the poverty or the splendor of his speech. Life lies behind us as the quarry from whence we get tiles and copestones for the masonry of today. This is the way to learn grammar. Colleges and books only copy the language which the field and the work-yard made.

The objection to conforming to usages that have become dead to you is, that it scatters your force.

Why has my motley diary no jokes? Because it is a soliloquy and every man is grave alone.

Men of extraordinary success, in their honest moments, have always sung, "Not unto us, not unto us." According to the faith of their times, they have built altars to Fortune, or to Destiny, or to St. Julian. Their success lay in their parallelism to the course of thought, which found in them an unobstructed channel; and the wonders of which they were the visible conductors seemed to their eye their deed.