Some men are born to own, and can animate all their possessions. Others cannot: their owning is not graceful; seems to be a compromise of their character: they seem to steal their own dividends.

The virtue of art lies in detachment, in sequestering one object from the embarrassing variety. Until one thing comes out from theconnection of things, there can be enjoyment, contemplation, but no thought.

For, the advantages which fashion values, are plants which thrive in very confined localities, in a few streets, namely. Out of this precinct, they go for nothing; are of no use in the farm, in the forest, in the market, in war, in the nuptial society, in the literary or scientific circle, at sea, in friendship, in the heaven of thought or virtue.

The best conversation is rare. Society seems to have agreed to treat fictions as realities, and realities as fictions; and the simple lover of truth, especially if on very high grounds, as a religious or intellectual seeker, finds himself a stranger and alien.

The land is the appointed remedy for whatever is false and fantastic in our culture. The continent we inhabit is to be physic andfood for our mind, as well as our body. The land, with its tranquilizing, sanative influences, is to repair the errors of a scholastic and traditional education, and bring us to just relations with men and things.

Men are born to write. The gardener saves every slip, and seed, and peach-stone: his vocation is to be a planter of plants. Not less does the writer attend his affair. Whatever he beholds or experiences, comes to him as a model, and sits for its picture. He counts it all nonsense that they say, that some things are undescribable. He believes that all that can be thought can be written, first or last; and he would report the Holy Ghost, or attempt it.

Congratulate yourself if you have done something strange, extravagant and broken the monotony.