I look on Sculpture as history. I do not think the Apollo and the Jove impossible in flesh and blood. Every trait the artist recorded in stone, he had seen in life, and better than his copy.

But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace withoutgrandeur, and itself not new but derivative; a vase of fair outline, but empty,--which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.

We imperatively require a perception of and a homage to beauty in our companions. Other virtues are in request in the field and workyard, but a certain degree of taste is not to be spared in those we sit with.

It is rare to find a man who believes in his own thoughts or speaks that which he is created to say. As nothing astonishes men so much as common sense and plain dealing, so nothing is more rare in any man than an act of his own...feel yourself, and be not daunted by things...The light by which we see this world comes out from the soul of the observer.

Beside all the moral benefit which we may expect from the farmer's profession, when a man enters it considerately, this promised the conquering of the soil, plenty, and beyond this, the adorning of the country with every advantage and ornament which labor, ingenuity, and affection for a man's home, could suggest.

The imaginative faculty of the soul must be fed with objects immense and eternal.

Milton says, that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods, and their descent unto men, must drink water out of a wooden bowl. For poetry is not "Devil's wine," but God's wine.