The soul is the perceiver and revealer of truth. We know truth when we see it, let skeptic and scoffer say what they choose ... We distinguish the announcements of the soul, its manifestations of its own nature, by the term Revelation. These are always attended by the emotion of the sublime. For this communication is an influx of the Divine mind into our mind. It is an ebb of the individual rivulet before the flowing surges of the sea of life. Every distinct apprehension of this central commandment agitates men with awe and delight.

All great natures delight in stability; all great men find eternity affirmed in the very promise of their faculties.

History no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by language and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.

I remember an answer which when quite young I was prompted to make a valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested, - "But these impulses may be from below, not from above." I replied, 'They do not seem to me to be such; but if I am the devil's child, I will live then from the devil.'

The genius of the Platonists, is intoxicating to the student, yet how few particulars of it can I detach from all their books.

We are shut up in school and college recitation rooms for ten to fifteen years, and come out at last with a bellyful of words and do not know a thing. We cannot use our hands, or our legs, or our eyes, or our arms. We do not know an edible root in the woods. We cannot tell our course by the stars, nor the hour of day by the sun. It is well if we can swim and skate. We are afraid of a horse or a cow, of a dog, of a cat, of a spider. Far better was the Roman rule to teach a boy nothing that he could not learn standing.

But in every constitution some large degree of animal vigor is necessary as material foundation for the higher qualities of the art.