Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called "silent poetry," and poetry "speaking painting." The laws of each art are convertible into the laws of every other.

We sometimes meet an original gentleman, who, if manners had not existed, would have invented them.

I thought as I rode in the cold pleasant light of Sunday morning how silent & passive nature offers, every morn, her wealth to man; she is immensely rich, he is welcome to her entire goods, which he speaks no word, only leaves over doors ajar, hall, store room, & cellar. He may do as he will: if he takes her hint & uses her goods, she speaks no word; if he blunders & starves, she says nothing.

For, though the origin of most of our words is forgotten, each word was at first a stroke of genius, and obtained currency, because for the moment it symbolized the world to the first speaker and to the hearer. The etymologist finds the deadest word to have been once a brilliant picture.

God will not have his work made manifest by cowards. Always, always, always, always, always do what you are afraid to do. Do the thing you fear and the death of fear is certain.

When the gods come among men, they are not known.

When I first open my eyes upon the morning meadows and look out upon the beautiful world, I thank God I am alive.