We also knew we definitely wanted to infuse into the narrative the relation of women at different ages with motherhood, their relationship with their babies versus their partners', their overall "need" to have children, their fears and projections on their children, etc. All of this we put into a pot, if you will, and simmered for a while until we had what made sense to us.

We also knew we definitely wanted to infuse into the narrative the relation of women at different ages with motherhood, their relationship with their babies versus their partners', their overall "need" to have children, their fears and projections on their children, etc. All of this we put into a pot, if you will, and simmered for a while until we had what made sense to us.

To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.

My biggest advice for women writer/directors is to always be attempting to make work that avoids pandering to the conceptions that the industry has put in place for "women directors."

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life.