From a young age, [James Baldwin] was watching all those different films. He's watching John Wayne killing off the Indians. He came to the point that the Indians were him. You had to educate yourself because the movies were not educating you. The movies were giving you a reflection of you that was not the truth. That's the trick. The movie was also giving a reflection of what the country is. Basically, a country that wanted itself to be innocent. That's the ambivalence of Hollywood.

James Baldwin had an unrivaled understanding of politics and history and, above all, the human condition. His prose is laser sharp. His onslaught is massive and leaves no room for response. Every sentence is an immediate cocked grenade. You pick it up, then realize that it is too late. It just blows up in your face. And yet he still managed to stay human, tender, accessible.

[James] Baldwin explained that you have your own history, and that you cannot be responsible, for example, for slavery.

The system gives you two minutes to phrase a whole history.

You need to react. That's the absurdity of Twitter. You can react without thinking now.

[James] Baldwin was a revelation for me, the kind of revelation that follows you all your life because you can go back to it. It's not just about stories. It's about philosophy. It's about criticizing the world. It's about deconstructing the world around you.

[James] Baldwin was a celebrity. A TV show like Kenneth Clark could put him aside of Martin Luther King Jr. and Malcolm X. He was, at least, one of the three most important spokesmen of the movement and of the black community.