It was really always about bringing back [James] Baldwin's words in all their rawness, in all their impact - in the way he analyzes not only this country but also the history of this country, the images that this country is fabricating through Hollywood, and what consequence that has in our imagination.

There are only one or two geniuses every century.

I started to read James Baldwin very early on in my life. At a time, as a young adult in the Sixties, when there were not that many authors in whom I could recognize myself, he was an important guide and mentor to me as he was to many others. He helped me understand who I was and decipher the world around me. He gave me the words to defend myself and the argumentative rhetoric to master discussions with others.

I felt that the world, and in particular this country, were going in circles. What had happened 40 or 50 years ago was happening again, but even in a worse form - that we were sinking into a lot of ignorance and a lot of superficial change.

Today, I don't even think that people like [James Baldwin] are possible. He would not have that much room.

Can you imagine in 2016 there is a discussion about #OscarsSoWhite? Is it a novelty we've just discovered that the whole production machine is dominated by only one type of human being, excluding women, excluding gays, excluding minorities? This is not new.

[James] Baldwin is needed even more today because he helps you focus to the essential, to what is important.