Important thing is not the me that's lying here, but the me that's sitting on the edge of the bed looking back at me, and the me that's downstairs cooking supper, or out in the garage under the car, or in the library reading. All the new parts, they count. I'm not really dying today. No person ever died that had a family.

You can't learn to write that way - by writing directly for the screen. Wait until you're 30. But in the meantime write 200 short stories. You've got to learn how to write!

Good writers touch life often.

Time is so strange and life is twice as strange. You must promise me not to live to be too old, William. It if is at all convenient, die before you're fifty. It my take a bit of doing. But I advise this is simply because there is no telling when another Helen Loomis might be born. It would be dreadful, wouldn't it, if you lived on to be very very old and some afternoon in 1999 walked down Main street and saw me standing there, aged twenty-one, and the whole thing out of balance again?

I think the only way we can grow and get on in this world is to accept the fact we're not perfect and live accordingly.

You don't pay any attention to anything anyone else says, no opinions. The important thing is to explode with a story, to emotionalize a story, not to think it. You start thinking - the story's going to die on its feet.

[His] library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.