He wore his happiness like a mask and the girl had run off across the lawn with the mask and there was no way of going to knock on her door and ask for it back.

What can we writers learn from lizards, lift from birds? In quickness is truth. The faster you blurt, the more swiftly you write, the more honest you are. In hesitation is thought. In delay comes the effort for a style, instead of leaping upon truth which is the only style worth deadfalling or tiger-trapping.

They are so confident that they will run on forever. But they won't run on. They don't know that this is all one huge big blazing meteor that makes a pretty fire in space, but that some day it'll have to hit.

I'm scared of myself. I think I'd be a bad driver. I'm scared of cars, period. I've had too many friends killed now, and I've seen too many people killed in my life when I drove across the country when I was 12. I'm sure that has a lot to do with it. If you see a few real dead bodies with brains on the pavement, it does a lot to change your attitude. It means you can get it too. I've had a lot of relatives killed. I've had a lot of dear friends killed. It's stupid. The whole activity is stupid.

The ability to fantasize is the ability to survive, and the ability to fantasize is the ability to grow

Not to write, for many of us, is to die. We must take ares each and every day, perhaps knowing that the battle cannot be entirely won, but fight we must, if only a gentle bout. The smallest effort to win means, at the end of each day, a sort of victory.

And the lesson was this; sit in the sun, head down, within a prickly vine, in a flickery light, or open light, and the world will come to you. The sky will come in its time, bringing rain, and the earth will rise through you, from beneath, and make you rich and make you full.