He raged for hours. And the skeleton, ever the frail and solelmn philosopher, hung quietly inside, saying not a word, suspended like a delicate insect within a chrysalis, waiting and waiting.

You have to learn to take rejection not as an indication of personal failing but as a wrong address.

We're a free society; we've got television. We have radio. We have newspapers. We have the videocassette, which is coming into play. These are new freedoms.

The psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies. I'll show you my collection some day.Good.They want to know what I do with my time. I tell them that sometimes I just sit and think. But I won't tell them what. I've got them running. And sometimes, I tell them, I like to put my head back, like this, and let the rain fall in my mouth. It tastes just like wine. Have you ever tried it?

People want to be happy, isn't that right? Haven't you heard it all your life? I want to be happy, people say. Well, aren't they? Don't we keep them moving, don't we give them fun? That's all we live for, isn't it? For pleasure, for titillation? And you must admit our culture provides plenty of these.

How do you get so empty? Who takes it out of you?

Zest. Gusto. How rarely one hears these words used. How rarely do we see people living, or for that matter, creating, by them. Yet if I were asked to name the most important items in a writer's make-up, the things that shape his material and rush him along the road he wants to go. I would only warn him to look to his zest, see to his gusto.