That's why I never became a director. I never had patience with people.

That's why I never became a director. I never had patience with people.

Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.

Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!

One film critic back in the early days said "It's a pity Mr. Harryhausen didn't animated the actors, too."

Animation requires a great deal of concentration, and I preferred to work alone because then I'm not deterred by somebody asking me if I want coffee, or the phone ringing or something.

There’s a strange quality in stop-motion photography, like in King Kong, that adds to the fantasy. If you make things too real, sometimes you bring it down to the mundane.