Photographers are victims of paradox, tracking the impermanent to make it permanent.

Photographers are victims of paradox, tracking the impermanent to make it permanent.

The collection of photographs is a statement about the relationship of my camera and me.

I don't need exotic places to be stimulated. Out of familiarity comes nuance. The more you revisit a subject the more you're like to discover.

I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.

What appears in the pictures was the subject's decision, not mine. I took what they presented - delicate moments - unadorned and unglamorous, yet tender and exquisite.

A lot of my work is about is about events, but I also think a lot of my work is about fragmentation.... You have to break something down in order to have the parts synthesize.