They're {Marvel] the ones who have went out and bought the comic book whenever it came out. They're the real investors. They serve them. Having a chance to be part of that Marvel Universe is just - well, it is what it is. It's just fantastic.

I don't think you see a pirate with a parrot on his shoulder, for example. And even with the accents.

I love the chameleon nature of this business [acting]. I always have. Sometimes I'm not as recognizable as somebody else and I may not have gotten a role, but for me, acting is not a competition. I've just kept my head down and kept working, and had the great pleasure of working with some amazing people and playing some extraordinary and extreme characters.

[Pirates] are a victim of their own success. People have identified with pirates in a comic and caricature sense.

Life itself is pretty funny when you realize how absurd it can be.

The way Shakespeare wrote Fallstaff is with a heightened language and everything. That's the genuis of having Ken Branagh here as well. Shakespeare doesn't require you to have a doctorate in his language or whatever to understand him. It just has to be directed and played right. It's all about scale and presence and getting these huge, epic stories across.

It really reminds me of the great movies of the 30's and 40's with huge sets and voluminous fireplaces you could walk around in. Glazed floors. I was expecting a Busby Berkley dance number. Big fanfare and all the girls coming out. I'd have joined in. It's got that scale, you know?