It really reminds me of the great movies of the 30's and 40's with huge sets and voluminous fireplaces you could walk around in. Glazed floors. I was expecting a Busby Berkley dance number. Big fanfare and all the girls coming out. I'd have joined in. It's got that scale, you know?

I like bringing little subtle complexities to a character. It's all about the subtext. No one can really describe or fully know another human being, even if they get a hook on them. It's more about instinctively knowing whether you like somebody or not.

I suppose you just feel on an instinctive level if something is honest.

I don't think you see a pirate with a parrot on his shoulder, for example. And even with the accents.

The best piece of advice Ive ever been given was, Be in the business youre in. Dont just be a satellite around it and expect it to come to you. Be in the business youre in.

They're {Marvel] the ones who have went out and bought the comic book whenever it came out. They're the real investors. They serve them. Having a chance to be part of that Marvel Universe is just - well, it is what it is. It's just fantastic.

Hence the genius of having Ken steer this ship as well. You have to invest these characters with a Shakespearian quality and not in a way that might disengage the audience but in a way that actually lets you play to an audience.