The original 'Edge of Darkness' was fantastic, a fabulous series. It was of its time, but this film version shows that times really haven't changed.

Elaine and I got married in summer 1979, we went on our honeymoon and came back for the premiere of Scum. All of sudden my face was on billboards in Leicester Square and people were crowding outside the cinema, going mad about the film. It was a complete shock.

Sometimes you also work with people who don't explain or express to you what they're actually looking for from the shot but you haven't got that problem with this because whatever you're going to do, whether it's good or bad, will get picked up. So, in that way I guess it's pure cinema.

For me, 'The Crystal Skull' was something I'd never done before, and I loved every minute of it. Working with Harrison Ford as well - he's a cowboy from Montana, the most unassuming man you'll ever work with, fabulous guy, and I loved it.

If you want to get on in life get off your arse because it ain't going to come to you. And if it does come to you and you're not off your arse then you ain't going to keep it very long.

You do a job like mine because you love the job, not because it's going to make you famous.

Sometimes when you're making a film and something happens during a scene that you've just thought of, it can be missed if the wrong lens is on or if you're shooting in the wrong direction but this [performance capture] doesn't miss a thing. So, you might do something that's genius - very rarely, admittedly - but it doesn't miss it.