Sometimes you also work with people who don't explain or express to you what they're actually looking for from the shot but you haven't got that problem with this because whatever you're going to do, whether it's good or bad, will get picked up. So, in that way I guess it's pure cinema.

When somebody meets me in the street, they say, 'Hello, how you doing?' And I say the same back. It's just two minutes of your time and it's alright. I don't like people taking liberties when I'm with my family, but mostly people are really polite and that's lovely.

You've always got to have an imagination in the game we're in but it explodes on this. You get to try the costumes on before you start and feel the weight of them, which is great. But then you're opposite some of the greatest actors in the world and away you go. You find your imagination takes over without you really even thinking about it.

But then when you go through the process of making the film and you sit in the cinema two years later and your jaw hits the floor, it's quite sad in a way because you're looking at yourself - facially anyway - and see the way you looked when you were 20.

Almost all politicians drive me insane. These people are supposed to be looking after us. What I hate is that we don't speak up enough as a nation and take on the government.

There is something about silence and being in the middle of nowhere that is really very attractive.

Elaine and I got married in summer 1979, we went on our honeymoon and came back for the premiere of Scum. All of sudden my face was on billboards in Leicester Square and people were crowding outside the cinema, going mad about the film. It was a complete shock.