LA doesn't have the heart of a paper cup.

The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement

Technique alone is never enough. You have to have passion. Technique alone is just an embroidered potholder.

The wise screen writer is he who wears his second-best suit, artistically speaking, and doesn't take things too much to heart. He should have a touch of cynicism, but only a touch. The complete cynic is as useless to Hollywood as he is to himself. He should do the best he can without straining at it. He should be scrupulously honest about his work, but he should not expect scrupulous honesty in return. He won't get it. And when he has had enough, he should say goodbye with a smile, because for all he knows he may want to go back.

It is a language which is being molded by writers to do delicate things and yet be in the grasp of superficially educated people.

I said something which gave you to think I hated cats. But gad, sir, I am one of the most fanatical cat lovers in the business. If you hate them, I may learn to hate you. If your allergies hate them, I will tolerate the situation to the best of my ability.

Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar-room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.