I don't know if it's good to be stuck at one place. I'm probably too close to home on that. Because that can happen-where I'm not the best judge of my own work.

It's very rare that someone gets the death penalty for charges of conspiracy, for his influence, for his Svengali-Rasputin act.

There are lots of guns and action in my drawings, and part of that is just to make them more interesting. Because you can go through a whole film and it's mostly talking heads and little else until the action scenes, and they're usually violence or physical stuff. Same with baseball, or any sport. Except I find pitching and batting are visually very striking.

I don't know if it's good to be stuck at one place. I'm probably too close to home on that. Because that can happen-where I'm not the best judge of my own work.

My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.

My work is more driven by the creative word. It's immersed in other writing and printed work, rather than drawn so much from life or past experience.

No one can help me with my work. I think I do best when I am just left alone.