I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.

There are lots of guns and action in my drawings, and part of that is just to make them more interesting. Because you can go through a whole film and it's mostly talking heads and little else until the action scenes, and they're usually violence or physical stuff. Same with baseball, or any sport. Except I find pitching and batting are visually very striking.

There's always a latent or inferred image in my writing. And I can almost always assume if I do a drawing that it will eventually have text.

I don't make art with grandiose delusions. I do know there are limits to what art is capable of. That makes it all the more appealing to me. And I can do as I will whenever I choose.

Forgiveness is the nature of my art in general. It's expressing love and compassion, the kinds of things that don't make sense in any other context other than emotive expression.

Anyone living, especially your peers, is a threat. You're judging them, they're judging you. This sort of criticism is as close to human nature as you can get. That can be a good thing sometimes. Jealously, rancor, competition, those can be good things in art. But it mostly puts you in a dangerous and disadvantageous position, and one that just takes away from you so much.

It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.