It isn’t happiness I am concerned with but experience.

It is the creator of fiction's point of view; it is the character who interests him. Sometimes he wants to convince the reader that the story he is telling is as interesting as universal history.

True stories deal with hunger, imaginary ones with love.

One can easily classify all works of fiction either as descendants of the Iliad or of the Odyssey.

When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.

The Iliad is the private lives of people thrown into disorder by history.

Many novelists take well-defined, precise characters, whose stories are sometimes of mediocre interest, and place them in an important historical context, which remains secondary in spite of everything.