My primary job is to choose the programs, either to co-produce them, or acquire them after they're finished. So, I read a lot of scripts, I meet with producers and I read a lot of books.

I love mysteries on television – the more psychologically complex the better.

If you spend any time on the shooting of a drama, for television or movies, it's very slow and there's a lot of standing around.

I've discovered that people don't actually want to have things spoiled, and they really try to avoid spoilers.

There's always a crisis somewhere, and you get the satisfaction of solving the problem. And then, there's always the mystery of whether a program will work or not, and waiting for the reviews or seeing what the audience figures are.

There's a new television generation coming in every five or 10 years, and the classic stories stand up to being redone.

Theres just a big group of actors in London. There are new ones coming in all the time, who are looking for work, and established actors who are interested in working and like to work. To be a working actor in England is a life.