I was a really pretentious teenager.

There's always going to be a separate version of you that people will create, and you have no control over it.

If you choose to do both [acting and directing] on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.

I was the kid that grew up watching Bette Davis films.

Whenever I'm in theatre situations I will go out of my way not to talk about my father, but in the film world I can be really proud of my family and say, 'You know what: my dad's a really, really famous theatre director,' because nobody has any idea.

There are a lot of movies about misfits that are quite cool, that kind of glamorize it on some level. I think there are fewer films, certainly with a lady at the center, about the agony of what it's like to feel like you're not accepted, and you're different, and somehow you're weird.

You don't get roles like leading character in 'Christine' very often because people don't really like women on film to be unlikable. I think Christine is lovable, but I don't think she's likable. I think there's a fundamental difference. For me, those are the richest ones. Men have had a career of doing those kind of things.