I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.

I was the kid that grew up watching Bette Davis films.

I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.

I would say that maybe directors who act as well are easier with actors. I'm not saying that all directors have this, but sometimes you'll come across a director who sort of looks at an actor a bit like a kind of untrained horse that's been let out of the stable, like they might buck him.

As I'm sure anyone who's born after the '70s' access point is - is '70s films and '70s culture and there is a kind of a paranoiac atmosphere in that time in America. Yes, it's the golden age of journalism, Watergate, and all the rest of these people making these great breakthroughs - but it's also the moment that "if it bleeds, it leads" becomes mainstream and sensationalizing the news becomes more and more the given. Checking how many numbers you're getting, whatever you can do to get more numbers.

I've always had horrible Valentine's Days.

Feminism is something I think about more when I watch the film, Christine, rather than when I was actually doing it, to be honest with you. But I do think it functions as a sort of interesting feministic critique, because you are seeing a woman who's resolutely incapable of behaving like the kind of woman that's acceptable at the time. She doesn't know how to play the game by everyone else's rules, and it makes you realize that actually there were rules that were functioning for a woman to be a careerist.