I would have started writing a lot earlier if I hadn't been [Arthur Miller's daughter].

I would have started writing a lot earlier if I hadn't been [Arthur Miller's daughter].

Every milieu has something ridiculous about it - film-making, the music world, painting - because people who take themselves seriously become funny pretty quickly.

The script is the musical score, and everyone has to play off that score. Even I have to interpret it. The producers are there to eliminate obstacles to that interpretation.

I am half-Jewish, and yet really hadn't been brought up within the Jewish faith. So I had felt culturally Jewish, if that's possible, without really understanding it.

I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial.

I'm fascinated by what makes up a self, how one becomes a self, how much is it an answer to others and how much is it an essence of self.