Writing is acting in the sense that you're imagining and inhabiting another. In the book I was trying to get at the root of what true acting is.

I think one of the great joys of being a writer is you can transcend everything, even your own sex, what century you live in, and how you think. I found it quite natural to think as a male because I actually think that as a female, one often thinks in the mind of a male in terms of eroticism. You think about what the other person feels. So it's not that hard to imagine being that person.

I've always been fascinated by the way that children and animals suffer stoically in a way that I don't think adults do.

I'm really interested in the minutiae of different tones and what that explains - how people's backgrounds are reflected in minute details of how they interact. It's true that I'm hypersensitive to all that. Writing is acting in the sense that you're imagining and inhabiting another. In the book I was trying to get at the root of what true acting is.

I was interested in the mystical element of humor - was humor part of creation? Is God laughing at us, or with us?

I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.

One of the things that's good for me is that I can go from one art form to another.