I never had any desire to become a well-known actress.

In a way, a lot of my work is in the re-writing once it is cast, as I adapt to the rhythms of how the roles are played out by the actors.

Looking at paintings was a huge part of finding my way into the lush world of the 18th century.

You work with each individual actor as you perceive their needs to be. It's something that you've figured out in the weeks of pre-production.

I'm fascinated by what makes up a self, how one becomes a self, how much is it an answer to others and how much is it an essence of self.

I have a great drive to make things and sometimes I forget to slow down a little.

That's one thing I find about having children - it does unlock a door that separates you from other women who've had children.