What's your story? It's all in the telling. Stories are compasses and architecture; we navigate by them, and to be without a story is to be lost in the vastness of world that spreads in all directions like arctic tundra or sea ice. To love someone is to put yourself in their place, we say, which is to put yourself in their story, or figure out how to tell yourself their story. Which means that a place is a story, and stories are geography, and empathy is first of all an act of imagination, a storyteller's art, and then a way of traveling from here to there.
Rebecca SolnitThe power of large corporations is still a scourge on the earth, but at least the arguments supporting them are undermined now.
Rebecca SolnitPerhaps the central question about [Eliot] Porter's work is about the relationship between science, aesthetics, and environmental politics. His brother, the painter and critic Fairfield Porter, wrote in a 1960 review of [Porter's] colour photographs: 'There is no subject and background, every corner is alive,' and this suggests what an ecological aesthetic might look like.
Rebecca SolnitSometimes a few passionate people change the world; sometimes they start a mass movement and millions do.
Rebecca SolnitWhen you say 'mother' or 'father' you describe three different phenomena. There is the giant who made you and loomed over your early years; there is whatever more human-scale version might have been possible to perceive later and maybe even befriend; and there is the internalized version of the parent with whom you struggle- to appease, to escape, to be yourself, to understand and be understood by- and they make up a chaotic and contradictory trinity.
Rebecca Solnit