What is kind of beautiful about Katrina is that even though the media and officials are working hard at telling us everyone in New Orleans was a monster, in the immediate aftermath more than 200,000 people invite displaced strangers into their homes through hurricanehousing.org and an uncounted horde go to New Orleans and the Gulf Coast to give, to love, to be in solidarity, and to rebuild.
Rebecca SolnitI often think that the reason capitalism hasn't completely destroyed everything is that a huge amount of anti-capitalist endeavor goes on, from labors of love, nurture, friendship, and barter to gift economies and different kinds of exchanges, not just one alternate model but a whole host of other ways in which we engage with each other and with the world that aren't financial and debt-based.
Rebecca SolnitIt is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; itโs where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, โlive always at the โedge of mysteryโยญโthe boundary of the unknown.โ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.
Rebecca SolnitI don't think my work has to be loved by everyone, and it's loved by enough people that I'm grateful and able to keep going.
Rebecca SolnitWalking itself is the intentional act closest to the unwilled rhythms of the body, to breathing and the beating of the heart. It strikes a delicate balance between working and idling, being and doing. It is a bodily labor that produces nothing but thoughts, experiences, arrivals.
Rebecca SolnitAn aptitude test established architecture as an alternative [career]. But what decided the matter for [Teddy Cruz] was the sight of a fourth-year architecture student sitting at his desk at a window, drawing and nursing a cup of coffee as rain fell outside. 'I don't know, I just liked the idea of having this relationship to the paper and the adventure of imagining the spaces. That was the first image that captured me.
Rebecca Solnit