To every man in the world there is one person of whom he knows little: whom he would never recognize if he met him walking down the street, whose motives are a mystery to him. That is himself.

A bad short story or novel or poem leaves one comparatively calm because it does not exist, unless it gets a fake prestige throughbeing mistaken for good work. It is essentially negative, it is something that has not come through. But over bad criticism one has a sense of real calamity.

Neurotics, who cause less distress to themselves and their neighbours than those in the other category, are at war with their own natures. Their right hands are in conflict with their left. Psychotics, and it is those who commit purposeless crimes and prefer death to life, are at war with their environment. Right and left hands strike against the womb that carries them.

The memory, experiencing and re-experiencing, has such power over one's mere personal life, that one has merely lived.

Babbitt as a book was planless; its end arrived apparently because its author had come to the end of the writing-pad, or rather, one might suspect from its length, to the end of all writing-pads then on the market.

Writers on the subject of August Strindberg have hitherto omitted to mention that he could not write. ... Strindberg, who was neither a good nor a wise man, had a stroke of luck. He went mad. He lost the power of inhibition. Everything down to the pettiest suspicion that the dog had been given the leanest mutton chop, poured out of his lips. Men of his weakness and sensuality are usually, from their sheer brutishness, unable to express themselves. But Strindberg was mad and articulate. That is what makes him immortal.

... it is nearly impossible to understand those who are beyond our sight, who are not explained to us by ties of birth or the contact of the flesh.