I don't like karaoke because the mics are always so worn out. The quality of the mics is such that you're always going (screaming) "Yeah, yeah!" and then you can't like it. It's like sometimes I'm too professional to get up and do it.

I've got a swimming pool and I pretend to be like a mermaid, like in the middle of the night. It kind of de-stresses me.

For a comedienne, you have to have a little tragedy or a dark side, just not too much. Otherwise it's too disruptive.

As part of my job, I got malaria really badly and was put in intensive care, and I had a hallucination because they give you this cocktail of drugs to fix you so you don't die, and I had this hallucination that I was at the Oscars and I won and I was a really good actress, and it was so real that when I came out of the hospital, I started saying to people I'm going to become an actress.

When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show."

Usually when I ask people to reach into my velvety pouch it means something different.

My American accent is really, really good. I started out in the theater, doing all different characters with all different accents. When I first came to America, I thought I would be playing American, all the time. It was just weird how it worked out that I played more international characters.