I really enjoyed playing that Blind stuff because it's a little more mathy and metal and as far as drumming goes, it's a bit more fun.

I don't think we really planned it ahead of time but rather oozed out of our pores. All three of the demonstrative themes of Corrosion of Conformity are on there. The Hardcore/Punk from the 80's, the late 80's/early 90's mathy metal and finally the more Pepper, swampy/doomy stuff. We love all three so that's what came out on the album and I think it came out magically.

The very first practice we [Woody Weatherman, Mike Dean & myself ] did it was like, "Oh ok, I get it." We were jamming on some crazy ass, out of the box, weird time signature riffs and I got it, whereas anyone else who was playing with them recently would have been like, "What? What are you doing?" So I think there's something unspoken between the three of us that makes us Corrosion of Conformity.

I have to say that Dave's Grohl amazing too. You see all these interviews with him and he seems like the coolest and nicest guy on camera, but he really is when he's off too! I was fortunate enough to know him before he was a big rock star when I put out his very first band's album.

I can't think of a more natural experience in my entire life than playing with Mike Dean, Woody Weatherman again. I really learned how to play with them in terms of drumming.

With the exception of Megadeth, I can't imagine any band we were hesitant about touring with. I mean we liked the original Megadeth, but I can't think of any band we toured with we weren't psyched about.

The three of us [me, Mike Dean, Woody Weatherman] all learned how to play our instruments together. We had a common interest in bands like Black Sabbath, Deep Purple. Bands who had different time signatures etc and for whatever reason, we morphed into Corrosion of Conformity. It's been about thirty years now.