If I'm improvising and I'm not doing well it's because I'm not listening very well. Either I'm overly concerned with something or I'm drifting or maybe I'm too stoned but I'm not getting a clear signal.

Essentially a joke is creating an idea, whether sonic or visual, whether it's something musical or a traditional joke.

I think it's important as a performer, no matter where I travel, if I run into someone at the airport or I'm having a conversation on an airplane, run into someone on the sidewalk, or you're waiting on a long line and you start talking to somebody, who doesn't really share a lot of your same views, but then you come to commonality, I think that's very very important as well.

Not necessarily in the beginning, thinking I would have a career in comedy, but I was always interested in making people laugh.

I've always wanted to do a Shakespearean soliloquy, or a fake Shakespearean soliloquy, and now I'm doing that more often in shows. Things I've always wanted to do starting to happen.

Feel not as though it is a sphere we live on. Rather, an infinite plane which has the illusion of leading yourself back to the point of origin.

The idea of experimenting with machines to create art was always something I tinkered with.