Whether I go to English-speaking countries or non-English-speaking countries I can just modulate to what works for them.

It's hard to move on when you can see too many good possibilities or any kind of possibility really. That's something that always kind of slows me down and can be a bad place to be in.

Im pretty lazy when it comes to creativity. I just want it to be easy and fun.

I think it's important as a performer, no matter where I travel, if I run into someone at the airport or I'm having a conversation on an airplane, run into someone on the sidewalk, or you're waiting on a long line and you start talking to somebody, who doesn't really share a lot of your same views, but then you come to commonality, I think that's very very important as well.

There are things I believe in to a certain extent, as much as a scientist would. And I like, through the means of entertainment, to explore those ideas.

In the past, I was definitely more apt to storing pain away and not worrying about it. But as I get older, it's really about figuring out how to process it, how to feel it, and then also how to use it in my art.

An improv artist's best instrument is their ability keep their antennae clean so they're able to receive what I call the connection to creativity. It's the thing that you see in any amazing moment that any human being is performing. Whether it's watching Michael Jordan navigating through all these attackers and then suddenly rising up and putting the ball in the most amazing way, or watching an actor on stage playing Shakespeare, but not thinking about the actor anymore or the stage or you or the chair, any of these kinds of moments of transcendence.