I met this wonderful guy who owned an old pub near the Eiffel Tower called Malone's (he's French but it's an Irish name). He had a cellar with a piano and told me I could use it whenever I wanted to. I played lots of gigs down there. When I came back I played a show at the Knitting Factory.

I was a kid, and I was very excited to experience this whole new world. And everything was fun, everything from, oh, wow, we get bananas - I'd only seen them in picture books, you know - to, like, the diversity of the neighborhood and to explore Judaism for the first time. It was really hushed in the Soviet Union.

I just think music is one of those frontiers where people really want the "I" to be you.

Somebody's got to tell all the people to be like the water

Luckily, there's enough people who have recorded songs that I can just go online and kind of figure out how to play them.

I figured, 'If I ever get offered a chance to sign a deal, I'll only do it if I got to do it how I want.' So my contract is structured in such a way that I'm really protected.

I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.